＜p＞Livello Medio＜/p＞ ＜p＞Materiali:＜/p＞ ＜p＞Uncinetto:＜br /＞ - US 7 (4.5 mm)＜/p＞ ＜p＞Filo:＜br /＞ -Due gomitoli di YarnArt Charisma (100 g/3.52 Oz; 200m/218yds; color code 3864); 80% Lana -20% Acrilico＜/p＞ ＜p＞Altri strumenti:＜br /＞ - Forbici, Ago＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞La biblioteca del Museo di Roma di cui qui vengono presentate le edizioni antiche (sec. XVI-XIX), insieme ad alcune serie di stampe, si pone nel suo complesso come un libro aperto sulla citt?. Fin dagli anni Trenta del Novecento a questo nucleo di libri soprattutto figurati era stato infatti assegnato insieme alle altre collezioni dei 'Musei di Roma', il compito di raccogliere e conservare i documenti relativi alla storia, agli usi, ai costumi della citt?. Accanto a pubblicazioni imponenti, con ricco corredo illustrativo, trovano posto anche opuscoli effimeri, stampati in occasione di conclavi, esequie, nozze, etc., dai quali emergono aspetti della Roma papale tra il Sei e l'Ottocento. La biblioteca dell' attuale Museo di Roma eredita dunque, con i volumi di quei primi anni e di quelli immediatamente post-bellici in cui cambia la propria sede, ormai ospitata nello storico palazzo Braschi, anche quell'orientamento di partenza. Ci? testimonia la continuit? con un assunto iniziale volto a raccogliere quanto poteva definire, per cos? dire istituzionalmente, il profilo di Roma. Ma insieme a questo ufficiale compito documentario, essa risponde anche a quello di raccontare una storia pi? nascosta e sommersa che ? quella di una immagine che invece stenta a definirsi e a tradursi in una sua rappresentazione, all'interno dei libri sulla citt?, almeno fino alla seconda met? del XVI sec. La collezione dei volumi antichi che copre un arco di tempo dal XVI al XIX sec. attesta dunque anche questo iniziale vuoto d'immagine che accompagna le tante pubblicazioni di argomento romano nel corso del secolo XVI e che testimonia, per assenza, il particolare rapporto con una citt?-mito.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞最強速寫課第二彈！30秒也能畫！＜/strong＞＜/p＞ ＜p＞＜strong＞更詳盡的主題練習與分析，未公開的獨家思考，＜/strong＞＜/p＞ ＜p＞＜strong＞一次解答速寫常見難題＜/strong＞**。**＜/p＞ ＜p＞「自由畫線條」X「自在上淡彩」享受輕鬆速寫的樂趣＜/p＞ ＜p＞?開「畫得像才是好」的限制，＜/p＞ ＜p＞新手到進階，掌握線條與培養色感，畫出自己的獨特風格！＜/p＞ ＜p＞從輪廓線捕捉，到畫面解構與如何留白藏色，＜/p＞ ＜p＞不是專業畫家也能完成明亮生動的速寫作品。＜/p＞ ＜p＞＜strong＞Sketch1＜/strong＞ ＜strong＞替畫面分群，化繁為簡！＜/strong＞＜/p＞ ＜p＞提升觀察力，分好區塊，前、中、後景，就能自行安排下筆的順序，再瑣碎的畫面也能無負擔地描繪出空間與層次感。＜/p＞ ＜p＞＜strong＞Sketch2****限時練習畫作挑戰！＜/strong＞＜/p＞ ＜p＞從30秒、60秒到120秒，抓出特?、大膽描繪，畫不正確也沒關係，連續性線條能讓作品更増添趣味。＜/p＞ ＜p＞＜strong＞Sketch3＜/strong＞ ＜strong＞先畫暗面，留白減少調色時間！＜/strong＞＜/p＞ ＜p＞確定光源後，先畫深色暗面，再依色系堆疊上色，巧妙小面積的藏色，能吸引視覺停留，讓畫作充滿魅力。＜/p＞ ＜p＞＜strong＞Sketch4＜/strong＞ ＜strong＞七大主題示範 X＜/strong＞ ＜strong＞精選作品解析＜/strong＞＜/p＞ ＜p＞一起嘗試不同主題的練習，小物、小景、街景等，以觀者視覺動線出發，到取景意圖、結構比重與色彩安排等，詳細?明影響畫面耐看度的關鍵。＜/p＞ ＜p＞＜strong＞【本書特色】＜/strong＞＜/p＞ ＜p＞◆收?多年來最受網友們喜愛的作品，進一?解構作品重點與特色。＜/p＞ ＜p＞◆嘗試以不同尺寸畫本、各種色紙速寫，讓作品更具有獨特的個性。＜/p＞ ＜p＞◆各種速寫小練習，教?輕鬆學會觀察、分群與如何調色的技巧。＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞D?couvrez comment maintenir vos murs en parfait ?tat avec notre guide complet de r?paration des murs de la maison. De l'?valuation des dommages ? la pr?vention des probl?mes futurs, ce guide vous offre des instructions d?taill?es ?tape par ?tape, des conseils pratiques et des recommandations d'experts pour restaurer et entretenir efficacement les murs de votre maison. Apprenez ? identifier les diff?rents types de dommages, des fissures aux taches d'humidit?, et ? choisir les outils et mat?riaux appropri?s pour chaque type de r?paration. Avec des techniques de r?paration professionnelles, des conseils de s?curit? et des strat?gies de pr?vention, ce guide vous donne les connaissances et les comp?tences n?cessaires pour garder vos murs en bon ?tat pour les ann?es ? venir. Ne laissez pas les dommages des murs compromettre l'int?grit? de votre maison.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞...In questa et? avanzata mi ha appassionato l'idea di ripercorrere il mio passato in maniera inusitata, con quelle stesse quartine che ero solito scrivere prima dei venti anni. Ho ritenuto opportuno illustrare le quartine che sintetizzano la mia vita giovanile e poi la mia attivit? politica e i contatti con le personalit? conosciute ed incontrate, unitamente ai miei stati d'animo e alle mie considerazioni. Accompagnano le quartine un paio di caricature e tre piccoli quadri di pittori amici (Carlo Scorpio, Gino Marzocchi, Giuseppe Gagliardi). Tutte le altre illustrazioni sono costituite da quadretti dipinti appositamente dall'amico pittore Francesco Guido Gibba (Parigi, Alassio), che ringrazio sentitamente per la sua disponibilit?. Luigi Preti, nato a Ferrara il 23 ottobre 1914, eletto deputato alla Costituente, ha rappresentato per oltre 40 anni il PSDI in Parlamento e ricoperto pi? volte la carica di Ministro. E' stato Presidente del PSDI ed oggi presiede attivamente il Movimento di Rinascita Socialdemocratica. Fra i suoi libri ricordiamo: Le lotte agrarie nella Valle Padana (1955), Giovinezza, Giovinezza (1964), Il PIaneta Terra in pericolo (1989), Romanzo del 18 Aprile (1992), L'Italia nella tempesta (1993), E sempre viva l'Italia... (1997), Gli squilibri del 2000 (1998), La crisi della giustizia in Italia (2000).＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Nell'ambiguit? di un gioco di parole che include le opposte condizioni dell'attendere un evento e del suo inaspettato accadere, si ? individuato il titolo di questo volume che supporta la raccolta di opere d'arte del Patrimonio dell'Accademia di Belle Arti di Catanzaro. Una raccolta che, sebbene comprenda anche donazioni acquisite in passato, che quindi riportano molto indietro nel tempo, solo recentemente ha assunto una cospicuit? e una rilevanza inattesa. E ci? ? potuto accadere grazie alla generosit? di tanti artisti che, nella maggior parte dei casi, hanno operato nell'istituzione catanzarese in veste di docenti, o che, pi? semplicemente, sono stati vicini ad essa, talvolta con la partecipazione a conferenze, dibattiti, mostre e altre attivit? extradidattiche. ? questo un volume, quindi, che in qualche misura restituisce e ricostruisce la storia dell'Accademia d Belle Arti di Catanzaro, nell'inevitabile eterogeneit? di una raccolta che rispecchia, non soltanto la molteplicit? generazionale e d'orientamento espressivo dei numerosi donatori, ma anche e soprattutto la virtuosa ricchezza e variet? delle linee di ricerca e, per estensione, dei percorsi didattici e degli spunti di riflessione critica proposti agli allievi nell'arco della sua quarantennale attivit?. Un periodo relativamente breve nel corso del quale l'istituzione catanzarese ? riuscita a ritagliarsi un ruolo di grande prestigio, elevandosi a sicuro punto di riferimento nell'ambito dell'Alta Formazione Artistica, non soltanto per la Calabria, ma per tutto il Mezzogiorno d' ltalia. Ruolo, questo, che viene ribadito di anno in anno dalla rilevanza e dal numero delle iniziative culturali prodotte e promosse, dai frequenti riconoscimenti conseguiti dagli iscritti in tanti premi e manifestazioni nazionali e internazionali e, non da ultimo, dai non meno numerosi diplomati che al termine del percorso di studi hanno potuto intraprendere il non facile cammino della professione d'artista o si sono aggiudicati con merito incarichi di docenza un po' in tutto il Paese. Che si determini attraverso un percorso di sedimentata e complessa riflessione o che scaturisca e deflagri dalla casualit? istintiva di un'azione, ? difficile pensare l'arte al di fuori di quel territorio ideale, necessario e pressoch? inevitabile, quella sorta di a priori dell'opera, che corrisponde alla dimensione dell'in/atteso. Una dimensione che a sua volta, pi? in generale, sembra poter includere e riflettere con gelida imparzialit? le opposte polarit? che determinano approcci e percorsi esistenziali, sempre unici e irripetibili, di ogni esperienza umana. A questa raccolta che suggella e celebra il quarantennale dell'Accademia di Belle Arti di Catanzaro manca, oggi, solamente una sua sede stabile per consentire la pi? ampia condivisione e fruizione di un patrimonio che non vuole e non pu? essere soltanto appannaggio dell'Istituzione, ma di tutta la collettivit?. Arte, quindi, In attesa, anche, di una sua definitiva e degna collocazione.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞El "DKHM" es un libro de entretenimiento, para partirse de risa, donde los vocablos son tratados desde una perspectiva creativa, trabajados con diversas pautas y t?cnicas para proporcionar un estado psicol?gico agradable al lector, tomando a veces aspectos de la historia de forma burlona pero tambi?n, con "FiloFos?a"; una obra que abarca las dedicaciones creativas del autor, elaborado con ilusi?n para ser compartido con el lector, sea ?ste: dedicado profesional, estudiante o aficionado a cualquier g?nero de m?sica, para ser tratado y le?do "CON HUMOR".＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞An essay collection examining the philosophical elements of select films in noir cinema, as well as the genre’s legacy in film and culture.＜/strong＞＜/p＞ ＜p＞A drifter with no name and no past, driven purely by desire, is convinced by a beautiful woman to murder her husband. A hard-drinking detective down on his luck becomes involved with a gang of criminals in pursuit of a priceless artifact. The stories are at once romantic, pessimistic, filled with anxiety and a sense of alienation, and they define the essence of film noir. Noir emerged as a prominent American film genre in the early 1940s, distinguishable by its use of unusual lighting, sinister plots, mysterious characters, and dark themes. From ＜em＞The Maltese Falcon＜/em＞ (1941) to ＜em＞Touch of Evil＜/em＞ (1958), films from this classic period reflect an atmosphere of corruption and social decay that attracted such accomplished directors as John Huston, Alfred Hitchcock, Billy Wilder, and Orson Welles.＜/p＞ ＜p＞＜em＞The Philosophy of Film Noir＜/em＞ is the first volume to focus exclusively on the philosophical underpinnings of these iconic films. Drawing on the work of diverse thinkers, from the French existentialist Albert Camus to the Frankurt school theorists Max Horkheimer and Theodor Adorno, the volume connects film noir to the philosophical questions of a modern, often nihilistic, world. Opening with an examination of what constitutes noir cinema, the book interprets the philosophical elements consistently present in the filmsーthemes such as moral ambiguity, reason versus passion, and pessimism. The contributors to the volume also argue that the essence and elements of noir have fundamentally influenced movies outside of the traditional noir period. Neo-noir films such as ＜em＞Pulp Fiction＜/em＞ (1994), ＜em＞Fight Club＜/em＞ (1999), and ＜em＞Memento＜/em＞ (2000) have reintroduced the genre to a contemporary audience. As they assess the concepts present in individual films, the contributors also illuminate and explore the philosophical themes that surface in popular culture.＜/p＞ ＜p＞A close examination of one of the most significant artistic movements of the twentieth century, ＜em＞The Philosophy of Film Noir＜/em＞ reinvigorates an intellectual discussion at the intersection of popular culture and philosophy.＜/p＞ ＜p＞＜strong＞Praise for ＜em＞The Philosophy of Film Noir＜/em＞＜/strong＞＜/p＞ ＜p＞＜strong＞“The essays work both as solid primers into philosophy, stretching from Aristotle to Schopenhauer, and as lucid excursions into the genre’s dark, mean streets. . . . A fascinating, readable, and provocative book. . . . Highly recommended.” ー＜em＞Choice＜/em＞＜/strong＞＜/p＞ ＜p＞＜strong＞“Dense and intriguing, the book suggests noir is best perceived as a slightly warped mirror held up to contemporary society.” ー＜em＞Publishers Weekly＜/em＞＜/strong＞＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞This practical handbook bridges the gap between those scientists who study landscapes and the planners and conservationists who must then decide how best to preserve and build environmentally-sound habitats. Until now, only a small portion of the relevant science has influenced the decision-making arenas where the future of our landscapes is debated and decided.＜/p＞ ＜p＞The authors explain specific tools and concepts to measure a landscape's structure, form, and change over time. Metrics studied include patch richness, class area proportion, patch number and density, mean patch size, shape, radius of gyration, contagion, edge contrast, nearest neighbor distance, and proximity. These measures will help planners and conservationists make better land use decisions for the future.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞La ricerca dell’interiorit?, in questo breve ma profondo saggio ricco di riflessioni, si snoda attraverso i passaggi pi? importanti della tradizione romantica: il rapporto con la natura, la spiritualit?, Dio, la bellezza. Non ? facile arrivare a un giusto distacco dal nostro mondo, sempre pi? soffocante e incentrato su una superficialit? che nulla ha a che vedere con la leggerezza; i compagni ideali per un percorso di liberazione sono grandi filosofi e pensatori e lunghe passeggiate in montagna. L’estasi ? la stella polare che pu? condurre sempre pi? “in alto”, laddove si trovano nuove vie di uscita. Una paura panica risulta il prezzo da pagare nell’attraversare sentieri tortuosi che conducano al vero s?.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Mario Docci, Carlo Bianchini Editoriale/Editorial Alberto Campo Baeza Tempus fugit, disegnare nell'aria. Sul divenire del tempo e delle nuove tecniche nel disegno e nella comunicazione nell'Architettura Tempus fugit, drawing in the air. On the passing of time and new techniques in drawing and communication in Architecture Anna Aletta L'immagine dinamizzata: strategie compositive e illusionistiche di stampe ottiche, trasparenti, prospettive ripiegate Dynamised images: compositional and illusory strategies of optical prints, transparencies, and folded views Orazio Carpenzano Il disegno per l'architettura del progetto urbano. Dall'esperienza intramoenia per il PRP di Chioggia Drawing as a means for the urban project. The in-house experience for the Chioggia Port Development Plan Pilar Ch?as, Tom?s Abad Dalla silografia alla fotografia: immagini a stampa del Monastero di San Lorenzo dell'Escorial nell'Ottocento From woodcuts to photography: printed images of the Monastery of St. Lawrence of the Escurial in the nineteenth century Marco Fasolo, Riccardo Migliari Decio Gioseffi e La Prospettiva come “forma simbolica” Decio Gioseffi and Perspective as ‘symbolic form' Filippo Lambertucci Alfredo Lambertucci: disegnare per costruire Alfredo Lambertucci: drawing to build Sandro Parrinello, Raffaella De Marco Dal rilievo al modello: la trasposizione grafica dell'evento sismico From survey to the model: the graphic transposition of an earthquake Amparo Bernal L?pez-Sanvicente, Ignacio Camarero Juli?n Riflessioni di Eisenman sull'autonomia del modello come oggetto architettonico Eisenman reflecting on the independence of the model as an architectural object Attualit?/Events Libri/Books＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞For nearly 50 years, a trend in African American literary history quarantined the Black Arts era of the 1960s and 1970s, separating it from the brilliantly creative and aesthetically experimental writing that took off in the 1980s. According to that history, the new literature discarded and distanced the anti-aesthetic posture of the Black Arts moment which emphasized racial tension, strident polemics, and romantic solidarity with the Black underclass. Yet according to the author, the six novels that John Edgar Wideman wrote from 1987 to 2017 complicate this reductive characterization of the black arts. They overflow with the criminal element: accused rapists and murderers; victims of unsanctioned lynching and sanctioned executions. As they engage in aesthetic experimentation, they express continuities with a spirit of restless invention and improvisation that derive from an ongoing engagement with African or Black Atlantic cosmology. They thus enable reassessment of the black arts legacy, entering the world on their own terms, producing their own reality, and working through the black arts notion of functional art. They are the result of a magical Black Atlantic craft that brings writing beyond written representation, transforming the novel itself into a functional tool ? a charm -- of protection and healing.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Das Theater von Armin Petras gleicht oft einer Kinderzeichnung ? nur wenige Striche, und die Wahrheit leuchtet auf: Was man alles nicht braucht! Dieses Theater ist eine quirlige, u?berdrehte, wilde, improvisierende, rasende, herzwehe Spielbude. Der 1964 in Meschede Geborene leitete das Schauspiel in Nordhausen und Kassel, er war Intendant am Berliner Maxim Gorki Theater und am Schauspiel Stuttgart. Und Regie landauf, landab, ohn' Unterlass. Er ist ein Perfektionist des Unfertigen, in dessen Inzenierungswerk die Traurigkeit kostbare Schattenflecke auf Lichtungen der Clownerie zaubert. In Gespra?chen mit Hans-Dieter Schu?tt erza?hlt Petras von seinem Leben, erza?hlt von Fu?ball-Weltmeistertra?umen, vom Boxen und von Na?chten im eigenen Wald. Ein "Immerwerker", der nur die Unabla?ssigkeit leben kann, nicht die La?ssigkeit. Seine Devise: Nutze den Tag, der in jeder Sekunde steckt. Stets ein Leben zwischen Ost und West ? von Freiheit bleibt eines: die Suche danach. Es entfaltet sich die Biografie eines Denkens, das sich an Darwin entzu?ndet und an Foucault. Ins Bild kommt auch das Alter Ego des Regisseurs, der erfolgreiche Stu?ckeschreiber Fritz Kater. Unter diesem Pseudonym schreibt Petras eine Dramatik jener Verwundungen, die den Menschen treffen, wenn er zu schma?chtig, zu fu?hlsam ist fu?r die Ka?lte der Welt.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞(Dulcimer). This new addition to the First 50 series is a one-of-a-kind collection of accessible, well-known traditional, folk and pop songs arranged expertly for dulcimer by Steven B. Eulberg. Songs include: All the Pretty Little Horses * Always on My Mind * Blue Bayou * Bridge over Troubled Water * Dancing Queen * Desperado * I Saw the Light * Jolene * Kansas City * My Girl * Proud Mary * (Sittin' On) the Dock of the Bay * Time After Time * You've Got a Friend * and more!＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Secoli di storia, di tradizioni e racconti sono racchiusi nella perfezione di una delle opere infrastrutturali pi? imponenti e, al tempo stesso, pi? semplici del nostro territorio: le grandi Mura Megalitiche del Lazio Meridionale. Un esempio unico di costruzione spontanea, realizzata cio? senza alcun legante, che da sempre affascina chi l'osserva[…]＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Virtual Aesthetics in Architecture: Designing in Mixed Realities presents a curated selection of projects and texts contributed by leading international architects and designers who are using virtual reality technologies in their design process. It triggers discussion and debate on exploring the aesthetic potential and establishing its language as an expressive medium in architectural design. Although virtual reality is not new and the technology has evolved rapidly, the aesthetic potential of the medium is still emerging and there is a great deal more to explore.＜/p＞ ＜p＞The book provides a comprehensive overview of the current use of virtual reality technologies in the architectural design process. Contributions are presented in six parts, fully illustrated with over 150 images.＜/p＞ ＜p＞Recent projects presented are distributed in five themes: introduction to mixed realities; space and form; context and ambiguity; materiality and movement; body and social. Each theme includes richly illustrated essays by leading academics and practitioners, including those from Zaha Hadid Architects and MVRDV, detailing their design process using data-driven methodologies.＜/p＞ ＜p＞Virtual Aesthetics in Architecture expands the use of technology ＜em＞per se＜/em＞ and focuses on how architecture can benefit from its aesthetic potential during the design process. A must-read for practitioners, academics, and students interested in cutting-edge digital design.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞“Ogni esperienza ritorna nella vita di un artista, ma filtrata sempre pi? dalla sua crescita e dalla sua ricerca. Tutto questo nel lavoro e nella mostra appare chiaro a chi sappia leggere poco oltre lo sguardo, e fornisce uno spunto di riflessione: se la vita ? un filo al quale siamo legati, un filo che le Parche tessono e al quale l’umanit? ? sottoposta, essa umanit? dovr? riunire attraverso il filo che la mente umana pu? tessere, ogni forma, ogni apparenza, ogni simbolo, ogni realt? che sia o che non sia visibile: solo cos? potr? prolungare la sua evoluzione e la sua permanenza, delegando all’arte un poco della sua eternit?”. “Every artwork is the result of a continual filtering of an artist’s experience from birth through maturity, thus containing within it subtle references to the artist’s life and search. For those who can read beyond the visible all this is clear in Pennazzi’s work and in this exhibition. It also presents us with an opportunity to ponder: if life is a thread woven by the Fates ? a thread by which humanity is both bound and subject ? then it is through this thread that the human mind may unite every form, appearance and symbol, every visible or invisible reality. Only in this way the human mind will be able to extends its evolution and its sojourn, delegating to art just a little of its eternity”. “Cada obra de arte ? o resultado de uma filtragem cont?nua da experi?ncia de um artista desde o nascimento at? ? maioridade; contendo assim sutis refer?ncias ? vida do artista e suas experi?ncias. Para aqueles que sabem ler para al?m do vis?vel tudo isso ? claro na obra de Pennazzi e nesta exposi??o, nos apresentando uma oportunidade para reflex?o: Se a vida ? um fio tecido pelos Destinos ? um fio ao qual a humanidade est? tanto interligada com lhe est? sujeita ? ent?o, ? atrav?s deste fio que a mente humana pode unir toda forma, toda a apar?ncia, todo o s?mbolo, cada realidade vis?vel ou invis?vel, e, desta forma ampliar a sua evolu??o e sua perman?ncia, delegando para a arte apenas um pouco de sua eternidade”. Alessandro D’Ercole＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞La Cappadocia e la Tuscia rupestre, regioni per molti aspetti dalle caratteristiche geomorfologiche differenti, risultano affratellate dalla condivisione di una realt? comune: quella degli spazi nella roccia a destinazione religiosa e dotati di pitture di soggetto cristiano. ? il fenomeno del rupestre, vitalizzato o rivitalizzato in et? medievale alla luce del sacro e nell'alveo della religiosit? cristiana, il denominatore comune fra Cappadocia e Tuscia, e anche il filo conduttore specifico della mostra fotografica: Terre di roccia e pittura. Il volume ? a cura di Maria Andaloro con testi di Daniela Sgherri e Geraldine Leardi.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞“22 gennaio 1944. Lo sbarco”, rappresenta, quindi, un altro piccolo ma significativo momento di un pi? ampio percorso di riflessione e partecipazione che vede la Provincia di Roma fortemente impegnata attraverso tante iniziative storiche e culturali rivolte alle scuole, ai comuni, ai centri anziani. Le immagini che qui presentiamo e pubblichiamo ci aiutano a ripercorrere i momenti di quelle giornate; un racconto pensato per commemorare il sacrificio di migliaia di soldati venuti a combattere da paesi anche molto lontani per la nostra libert? e, allo stesso tempo, per ricordare la sofferenza di migliaia di nostri concittadini di allora che, gi? duramente provati dagli anni del regime fascista e dall’occupazione tedesca, dovettero affrontare nuove, ulteriori sfide per la sopravvivenza. [Nicola Zingaretti, Presidente della Provincia di Roma]＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Cet ouvrage est r?dig? pendant la premi?re p?riode de confinement, de libert? ≪ tr?s surveill?e ≫. Il pr?sente l’engagement et son contraire lors de la crise sanitaire, la nature en grande souffrance, l’amour et l’humour, l’?ducation, la grande faucheuse en premi?re ligne, l’espoir ou l’utopie d’un autre monde qui vacille dans ≪ l’apr?s ≫.＜/p＞ ＜p＞? PROPOS DE L'AUTEUR＜/p＞ ＜p＞B?n?vole dans une m?diath?que, ＜strong＞Marc Delafosse＜/strong＞ anime un atelier d’?criture ainsi que des rencontres culturelles. Il se qualifie volontiers de ≪ presque ≫ po?te et d’apprenti jardinier.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞Novela autobiogr?fica sobre los 20 a?os consagrados a un proyecto art?stico humanitario, Bathroom Portraits.＜/strong＞＜/p＞ ＜p＞El autor, Milos Tzare, conmovido por la situaci?n de los refugiados de la ex Yugoslavia, de la que ?l mismo se escap?, empieza a fotografiar a personalidades del ?mbito cultural y art?stico en cuartos de ba?o.＜/p＞ ＜p＞Su objetivo es ayudar a los refugiados, a trav?s de la visibilidad y los beneficios de la futura venta del libro fotogr?fico.＜/p＞ ＜p＞Este es un relato ver?dico de un inmigrante sin papeles de ese entonces, construido a partir de ochenta libretas-diario, manuscritas en serbio, en diferentes pa?ses, durante todos esos a?os.＜/p＞ ＜p＞Las frases interrumpidas por puntos, la descripci?n sobria y el estilo austero, minimalista y esquem?tico de su arquitectura literaria, nos acercan al viaje de vida, de aprendizaje y de formaci?n profesional que Milos Tzare tuvo que recorrer.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞This book has 19 full page black and grey realistic tattoo designs. High quality prints and clear images make easier to tattoo. Designs include roses, snakes, portraits, guns, skulls, clocks, and more. Perfect for Tattoo artist and tattoo lovers who are looking for ready to use tattoo designs or if you're just looking for inspiration and reference.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞Why the university should focus on community: “An enlightening interpretation of Wendell Berry’s philosophy for the pursuit of a holistic higher education.” ー＜em＞Publishers Weekly＜/em＞＜/strong＞＜/p＞ ＜p＞Prominent author and cultural critic Wendell Berry is well known for his contributions to agrarianism and environmentalism, but his commentary on education has received comparatively little attention. Yet Berry has been eloquently unmasking America’s cultural obsession with restless mobility for decades, arguing that it causes damage to both the land and the character of our communities. The education system, he maintains, plays a central role in this obsession, inculcating in students’ minds the American dream of moving up and moving on.＜/p＞ ＜p＞Drawing on Berry’s essays, fiction, and poetry, Jack R. Baker and Jeffrey Bilbro illuminate the influential thinker’s vision for higher education in this path-breaking study. Each chapter begins with an examination of one of Berry’s fictional narratives and then goes on to consider how the passage inspires new ways of thinking about the university’s mission. Throughout, Baker and Bilbro argue that instead of training students to live in their careers, universities should educate students to inhabit and serve their places. The authors also offer practical suggestions for how students, teachers, and administrators might begin implementing these ideas.＜/p＞ ＜p＞Baker and Bilbro conclude that institutions guided by Berry’s vision might cultivate citizens who can begin the work of healing their communitiesーgraduates who have been educated for responsible membership in a family, a community, or a polity.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞How do you crochet beautiful and unique Shoes for a Beanie Hat?＜br /＞ Here you will find the pattern to crochet this amazing Beanie Hat.＜/p＞ ＜p＞Crochet Skill Level - Intermediate＜/p＞ ＜p＞Materials used:＜/p＞ ＜p＞Crochet hook: - US E/4 (3.5 mm) or size needed to obtain gauge＜br /＞ Yarn: - One Ball of Alize Cotton Gold (100 g/3.53 Oz; 330m/361yds); 55% Cotton -45% Acrylic.＜br /＞ Otehr tools: - Scissor, Tapestry Needle.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Throughout the history of popular music, the careers of many culturally significant artists and groups began on the small stages of local bars clubs, pubs, and discotheques. When the stories of The Beatles, Jimi Hendrix, and the New York punk hardcore and post punk scenes are told, iconic venues such as The Cavern, The Marquee and CBGB's serve as the settings of their early chapters Small live music venues such as these are pivotal in the narratives and history of popular music. However, very few of them survive.＜/p＞ ＜p＞This book focusses on the role of small live music venues as incubators for emerging talent and social hubs for music scene participants. Such venues are grassroots spaces of cultural labor and production that often struggle with issues of financial precarity yet are fundamental to the live music ecology of a city, acting both as platforms for emergent performers and spaces of sociality for local music scenes.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞During the eight decades preceding the Civil War, Kentucky was the scene of tremendous building activity. Located in the western section of the original English colonies, midway between North and South, Kentucky saw the rise of an architecture that combined the traditions of nationally known designers, eager to achieve the refinements of their English mother culture, alongside the innovativeness and bold originality proper to the frontier. Tradition thus provided a tangible link with world architectural development, while innovation offered refreshing variations. The result was a distinctive regional architecture.＜/p＞ ＜p＞In his newest look at Kentucky architecture, Clay Lancaster broadens his scope to include analyses of significant structures from throughout the commonwealth, illustrating the entire range of stylistic development. Like his acclaimed earlier book Antebellum Houses of the Bluegrass, the current volume provides historical background as well as drawings, photographs, and floor plans, showing both general features and details.＜/p＞ ＜p＞Among the many Kentucky buildings discussed are examples by such well-known early American architects as Benjamin Henry Latrobe, Thomas Jefferson, James Dakin, Isaiah Rogers, Alexander J. Davis, and Francis Costigan, as well as the work of local master builders such as Matthew Kennedy, Micajah Burnett, Gideon Shryock, Thomas Lewinski, and John McMurtry. Also included are Kentucky buildings designed from nationally distributed architectural books and builders' guides.＜/p＞ ＜p＞Lancaster gives special attention to the Geometric Style, which evolved further and produced more noteworthy monuments in Kentucky than anywhere else in America. Such buildings, in turn, bestowed a simplicity and straightforwardness on structures in later styles.＜/p＞ ＜p＞As Lancaster shows, the architecture that resulted from Kentucky's fertile eclecticism constitutes a rich and rewarding architectural heritage. All lovers of fine architecture will treasure this handsome and informative book.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Simplicity and order are the psychological and aesthetic features that Stefano Dorata seeks in architecture and when he is designing his projects. His journey is a long-standing one of research during which his creative language has been refined and enriched and become more precise in the sense that it has abandoned eclecticism in favour of careful blending of styles, but all without ever repudiating the principles of classicism and the elements constituting it. When looking at the twenty-two homes splendidly illustrated in this book ー from those in cities and by the sea to those in the countryside and mountains ー one becomes aware, on the one hand, that the use of the golden section, symmetry, axiality and perspective form a syntactic schema intended to convey the sense of balance that is so essential for those living in today's homes. On the other hand, they become the basis for a dynamic dialogue between interior and exterior, which, in its turn, becomes a sort of room where it is possible to commit infringements and upset logic in order to cause surprise, interrupt order at particular points and create emotional foci: a perspective misalignment, a difference in level, clashing colours or an unexpected change in the disposition of the furnishings ー these are small touches having a notable effect. Thus there is nothing routine about Dorata's projects, but rather a emotion common to them all that is expressed with masterly skill according to the location of the house and those living in it: it is simpler and more natural by the sea, more exuberant in the countryside, more romantic in the mountains and more classical ー in a modern sense ー in urban settings. Never the result of rational calculations, these extra qualities are always slightly different, revealing intuition and impulse and also a vision shared with the client deriving from continuous reflection on past experiences and feelings, and solutions adopted previously. So, every time Dorata tackles a new project, he effectively takes a step forward. (Nicoletta del Buono)＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Pericles, Prince of Tyre - William Shakespeare - "Pericles, Prince of Tyre is a Jacobean play written at least in part by William Shakespeare and included in modern editions of his collected works despite questions over its authorship. The play draws upon two sources for the plot. The first is Confessio Amantis (1393) of John Gower, an English poet and contemporary of Geoffrey Chaucer. This provides the story of Apollonius of Tyre. The second source is the Lawrence Twine prose version of Gower's tale, The Pattern of Painful Adventures, dating from c. 1576, reprinted in 1607."＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞The manuscript Seville, Biblioteca Colombina y Capitular 5-2-25, a composite of dozens of theoretical treatises, is one of the primary witnesses to late medieval music theory. Its numerous copies of significant texts have been the focus of substantial scholarly attention to date, but the shorter, unattributed, or fragmentary works have not yet received the same scrutiny. In this monograph, Cook demonstrates that a small group of such works, linked to the otherwise unknown Magister Johannes Pipudi, is in fact much more noteworthy than previous scholarship has observed. The not one but two copies of ＜em＞De arte cantus＜/em＞ are in fact one of the earliest known sources for the ＜em＞Libellus cantus mensurabilis＜/em＞, purportedly by Jean des Murs and the most widely copied music theory treatise of its day, while ＜em＞Regulae contrapunctus, Nota quod novem sunt species contrapunctus＜/em＞, and a concluding set of notes in Catalan are early witnesses to the popular ＜em＞Ars contrapuncti＜/em＞ treatises also attributed to des Murs. Disclosing newly discovered biographical information, it is revealed that Pipudi is most likely one Johannes Pipardi, familiar to Cardinal Jean de Blauzac, Vicar-General of Avignon. Cook provides the first biographical assessment for him and shows that late fourteenth-century Avignon was a plausible chronological and geographical milieu for the Seville treatises, hinting provocatively at a possible route of transmission for the ＜em＞Libellus＜/em＞ from Paris to Italy. The monograph concludes with new transcriptions and the first English translations of the treatises.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Como un animal furtivo se arrastra la noche por las calles ya dormidas de portales retra?dos, bares marchitos, ventanas de ojos tristes y farolas de rostros macilentos. Un charco solitario hendido por la luna, como una Venus a punto de nacer, late tembloroso.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Como un animal furtivo se arrastra la noche por las calles ya dormidas de portales retra?dos, bares marchitos, ventanas de ojos tristes y farolas de rostros macilentos. Un charco solitario hendido por la luna, como una Venus a punto de nacer, late tembloroso.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。